PS to the Cathedral Window post below.
Apologies for the weird and wonderful margins in this post. They are distracting and irritating but I don't know how to get rid of them!
Santiago, Chile23rd May 2012First of all thank you so much for all your lovely comments about my footstool. I was so pleased you liked it so much! Thank you. In response to Janet's question regarding the weight of Oakshotts, they are more or less the same weight of cotton that you would find in a quilting fabric.I promised to tell you about my version of Cathedral Window where I use a mixture of hand and machine methods, so here we go!Traditionally Cathedral Window was made completely by hand and as hand projects go it grows fairly quickly. However, if you should want to rustle up a cushion or a footstool cover quickly (mine footstool cover took 10 days beginning to end, and not going at it like a mad woman at all hours) there has to be an easier way! I fell in love with the design when I first saw it and after making one version completely by hand I resolved to look and see if there was an easier way.
My first Cathedral Window quilt
There is a version you can find in books and on the internet which is made completely by machine. However this method seems to be twice as onerous as the hand version and you are no more likely to get good joins at the corner of the blocks either. With any version of Cathedral Window where any flaw in folding and accuracy will show is the corner joins of the blocks (where I have placed appliqué circles). And indeed if you look back at Cathedral Window quilts in history books quilters have been doing this for years. There must be as many Cathedral Windows with dots as without! Actually I think it adds to the entire design if you can be bothered, and if not buttons make a great substitute.
A pillow made by my friend Alison Toni, (http://casaqueltehue.net) the first she ever made and using buttons instead of appliqué circles.
I have made one perfect Cathedal Window hanging where no disguise was needed but it took ages and personally I'd rather go for speed and dots.
No dots needed here!What you need to remember about Cathedral Window is that it uses A LOT of background fabric and that ideally, as the quilt will get very heavy, it should be a lightweight cotton (or silk) which you can iron with a very hot iron and which will give lovely sharp creases. It isn't a quilt in the proper sense of the word as it is not layered, there is no batting, nor is there any quilting. It's just a lot of folded fabric and a full sized bed quilt (which I dream of making one day) must weigh a ton.For the footstool I cut squares of 7" for each unit. With a 7" starting square you will end up with approximately a 3" finished unit.1. Cut background squares of 7 ". Fold the top to bottom, iron and then fold side to side and iron to get the centre and creases marked in a cross on the square.2. Traditionally in both the hand and machine versions you now turn in and iron 1/4" on all four sides. Usually it is suggested that you draw a line 1/4" in to use as a guide. I find that turning in 1/4" neatly is nigh impossible and furthermore that it is fiddly and incredibly time consuming to draw lines and iron using them as a guide. Instead I turn under a bigger 1/2 " on all sides and I have found that the fastest way to do this accurately is to cut a piece of cardboard exactly 1" smaller than my original cut square, place my fabric square (in this case 7") on the ironing board, place the card (cut to 6") as centrally as I can on top and then holding the card in place I just iron the fabric over the card on all four sides. Remove the card, quickly re-iron along the creases and there you have the perfect start relatively effortlessly.3. Now iron up the four corners to the centre as shown. With a matching thread hand-sew these four corners in place together. Now iron the corners to the centre again but this time just leave the corners open - don't sew in place (which is what you would do now if you were making it entirely by hand). Ideally you want these creases very sharp so use a very hot steam iron top and bottom.
4. If you are making this for the first time and trying, for example, to make a pillow, I would start with a 6 x 6 blocks (i.e. 36 units in all) which if using my 7 " starting square as above will give you a 18" square pillow. For this you will first join six blocks together in a row, sewing as shown below.
You will use the fold line as the line to sew on. As you don't want lots of end threads in all the corners, I find it easier to start about a half and inch down, reverse stitch to the end, forward stitch to the other end and and then also reverse at the bottom so your threads won't end at the corners as shown above. Trim threads. Join all six blocks together in this way. You will find that as the folds of the squares echo each other nicely that you won't need to pin, I have shown use of a pin here to clarify where you should be sewing.5. For ease in these instructions we will assume that you will make all the base blocks first, i.e. sew all 36 blocks together, although actually you will discover you can join one or two rows, then do some hand stitching of the windows if you feel like some hand sewing and then add more strips afterwards as you can see I did with my footstool. So let's pretend that you have made 6 strips of six blocks.6. Now you will need to join the strips together. Pin two strips together matching the triangular tops and side seams as shown. Sew this seam right across all the blocks, again using the fold line as a guide to where you should sew as shown in my footstool example below
7. When all strips are sewn it is time to anchor all those loose flaps and you sew the corners together exactly as you did in step 3. i.e. Sew where the pin heads are in the photo below - just placed there for clarity for this photo!
You're ready for putting in the windows, the fun part!8. I found that the squares needed to fit in each "window" were about 1 1/2" but it's easiest to cut roughly 2"squares and trim them as you go. I like to baste them into the windows with a couple of stitches so that I have a whole whack to sew down by hand.
Now what you do is roll the edges of the background and sew down by hand over the window fabric, covering all raw edges of the window fabric. You don't need to sew right through the block, you are just stitching the folded roll to the window fabric. If this sounds difficult it really isn't. Because the fold is on the bias it curves and rolls down beautifully and all you have to do is sew it in place with an appliqué stitch.
And there you have it. I'm worried that when you read these instructions you'll think it sounds impossible and a lot of fiddling around. It isn't hard at all and is just one of those things that you have to actually do to understand. Maybe try a sample just with 9 blocks (3 x 3) and see what you think. I guarantee you'll love the result. We all agreed in my quilting group (and all the girls made a Cathedral Window cushion using the method above) that it is one of those things that you have to make to understand how easy it is to make.
I hope these instructions make sense. I am sitting in an almost completely empty house with everything about to go in a container to sail up to Canada tomorrow. So I'm a wee bit distracted to say the least but I wanted to make sure that I wrote this last blog today. I'm rather sad to say that I don't know when I will resume my blog as it will be a while before I will be sewing again. Realistically I can't see it happening for a few months. I would like to tell you that your enthusiasm for my projects whether expressed in the comments section of this blog or in e mails written directly to me have blown me away. You are all so kind, so amazingly generous with your praise and even though I have never met most of you, you feel like friends who I have got to know through your comments and questions to me. So I'd like to say a very big thank you to you all for your kindness in the past year since I have been writing this blog. Thank you so much - it has been very inspiring and encouraging to say the least!At the weekend we are moving from this house to a temporary flat in the city and then on to Canada in a few weeks time. I am already missing my sewing but it's better to have it out of temptation's way because if I have it to hand I won't get anything else done and just for the moment, it has to take a back seat. (Now there's a sentiment that's hard for me to express)I will still have my laptop with me so if you have any questions on the above method please do feel free to write to ask!With my very VERY best wishes and thank you to you all for your generosity and kindness.
Monday 14th May
Santiago, ChileHere is a picture of what I have been working on for the past ten days - a fitted cover for a footstool which was badly in need of a new cover. It is of course made in the Cathedral Window block and made entirely in Oakshott cottons. A few months ago Julia and Michael Oakshott sent me a surprise parcel of the most amazing selection of plaids and stripes I have ever seen, with colors alive with vibrancy. Julia enclosed a note saying she was "sending me some sunshine" and bright sunshine it was indeed! I have raved for months about the Oakshott plain shot cottons such as this pink background but have a look at their plaids too. http://www.oakshottfabrics.com/categories/quilting-fabrics/lyon.aspx
I take childish delight in the magic of the Cathedral Window block. No matter how many times I have made it, the final result still seems incredible and I defy anyone to look at it closely and not to try to work out how it is made. I like it best at its most simple with one color used for the background. I have seen photos of quilts made with varying colors in the background block, and for the "windows" too but for me, the texture and magic alone is sufficient, so my versions are always very classic and simple. For the footstool I have also used a prairie points border, attached with a plaid bias to the front of the edge and it gives a great finishing touch to the stool. I have never combined them before but I think the two techniques, Cathedral Window and Prairie Points, look great together. There are various ways of making Cathedral Window and I boast that my method is the simplest and fastest of them all. By using a variety of tricks that I have devised and a combination of hand and machine sewing, I don't think there could be a faster method. Next week I am going to post a step by step guide with photos for my technique and I hope it might inspire you to have a try.