Cathedral Window


Santiago, Chile
23rd May 2012

First of all thank you so much for all your lovely comments about my footstool.  I was so pleased you liked it so much!  Thank you.  In response to Janet's question regarding the weight of Oakshotts, they are more or less the same weight of cotton that you would find in a quilting fabric.  

I promised to tell you about my version of Cathedral Window where I use a mixture of hand and machine methods, so here we go!

Traditionally Cathedral Window was made completely by hand and as hand projects go it grows fairly quickly.  However, if you should want to rustle up a cushion or a footstool cover quickly (mine footstool cover took 10 days beginning to end, and not going at it like a mad woman at all hours) there has to be an easier way!  I fell in love with the design when I first saw it and after making one version completely by hand I resolved to look and see if there was an easier way.

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   My first Cathedral Window quilt   

There is a version you can find in books and on the internet which is made completely by machine.   However this method seems to be twice as onerous as the hand version and you are no more likely to get good joins at the corner of the blocks either.  With any version of Cathedral Window where any flaw in folding and accuracy will show is the corner joins of the blocks (where I have placed appliqué circles).  And indeed if you look back at Cathedral Window quilts in history books quilters have been doing this for years.  There must be as many Cathedral Windows with dots as without!  Actually I think it adds to the entire design if you can be bothered, and if not buttons make a great substitute. 

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 A pillow made by my friend Alison Toni, (http://casaqueltehue.net) the first she ever made and using buttons instead of appliqué circles. 


I have made one perfect Cathedal Window hanging where no disguise was needed but it took ages and personally I'd rather go for speed and dots.  

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No dots needed here!

What you need to remember about Cathedral Window is that it uses A LOT of  background fabric and that ideally, as the quilt will get very heavy, it should be a lightweight cotton (or silk)  which you can iron with a very hot iron and which will give lovely sharp creases.  It isn't a quilt in the proper sense of the word as it is not layered, there is no batting, nor is there any quilting.  It's just a lot of folded fabric and a full sized bed quilt (which I dream of making one day) must weigh a ton.

For the footstool I cut squares of 7" for each unit.  With a 7" starting square you will end up with approximately a 3" finished unit.  

1.  Cut background squares of 7 ".  Fold the top to bottom, iron and then fold side to side and iron to get the centre and creases marked in a cross on the square. 

2.  Traditionally in both the hand and machine versions you now turn in and iron 1/4" on all four sides.  Usually it is suggested that you draw a line 1/4" in to use as a guide.  I find that turning in 1/4" neatly is nigh impossible and furthermore that it is fiddly and incredibly time consuming to draw lines and iron using them as a guide.   Instead I turn under a bigger 1/2 " on all sides and I have found that the fastest way to do this accurately is to cut a piece of cardboard exactly 1" smaller than my original cut square, place my fabric square (in this case 7") on the ironing board, place the card  (cut to 6") as centrally as I can on top and then holding the card in place I just iron the fabric over the card on all four sides.  Remove the card, quickly re-iron along the creases and there you have the perfect start relatively effortlessly.   

3.  Now iron up the four corners to the centre as shown.    With a matching thread hand-sew these four corners in place together.  Now iron the corners to the centre again but this time just leave the corners open - don't sew in place (which is what you would do now if you were making it entirely by hand).  Ideally you want these creases very sharp so use a very hot steam iron top and bottom.

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4.  If you are making this for the first time and trying, for example, to make a pillow, I would start with a 6 x 6 blocks (i.e. 36 units in all) which if using my 7 " starting square as above will give you a 18" square pillow.   For this you will first join six blocks together in a row, sewing as shown below.

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Photo above shows two blocks pinned back to back, matching triangular flaps!

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You will use the fold line as the line to sew on.    As you don't want lots of end threads in all the corners, I find it easier to start about a half and inch down, reverse stitch to the end, forward stitch to the other end and and then also reverse at the bottom so your threads won't end at the corners as shown above.   Trim threads.  Join all six blocks together in this way.  You will find that as the folds of the squares echo each other nicely that you won't need to pin, I have shown use of a pin here to clarify where you should be sewing.  

5.  For ease in these instructions we will assume that you will make all the base blocks first, i.e. sew all 36 blocks together, although actually you will discover you can join one or two rows, then do some hand stitching of the windows if you feel like some hand sewing and then add more strips afterwards as you can see I did with my footstool.  So let's pretend that you have made 6 strips of six blocks.

6.  Now you will need to join the strips together.  Pin two strips together matching the triangular tops and side seams as shown.   Sew this seam right across all the blocks, again using the fold line as a guide to where you should sew as shown in my footstool example below

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7. When all strips are sewn it is time to anchor all those loose flaps and you sew the corners together exactly as you did in step 3.   i.e. Sew where the pin heads are in the photo below - just placed there for clarity for this photo!

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  You're ready for putting in the windows, the fun part!  

8.  I found that the squares needed to fit in each "window" were about 1 1/2" but it's easiest to cut roughly 2"squares and trim them as you go.   I like to baste them into the windows with a couple of stitches so that I have a whole whack to sew down by hand.

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 Now what you do is roll the edges of the background and sew down by hand over the window fabric, covering all raw edges of the window fabric.  You don't need to sew right through the block, you are just stitching the folded roll to the window fabric.    If this sounds difficult it really isn't.  Because the fold is on the bias it curves and rolls down beautifully and all you have to do is sew it in place with an appliqué stitch. 

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And there you have it.  I'm worried that when you read these instructions you'll think it sounds impossible and a lot of fiddling around.  It isn't hard at all and is just one of those things that you have to actually do to understand.  Maybe try a sample just with 9 blocks (3 x 3) and see what you think.  I guarantee you'll love the result.  We all agreed in my quilting group (and all the girls made a Cathedral Window cushion using the method above) that it is one of those things that you have to make to understand how easy it is to make.

I hope these instructions make sense.  I am sitting in an almost completely empty house with everything about to go in a container to sail up to Canada tomorrow.  So I'm a wee bit distracted to say the least but I wanted to make sure that I wrote this last blog today.  I'm rather sad to say that I don't know when I will resume my blog as it will be a while before I will be sewing again.   Realistically I can't see it happening for a few months.   I would like to tell you that your enthusiasm for my projects whether expressed in the comments section of this blog or in e mails written directly to me have blown me away.  You are all so kind, so amazingly generous with your praise and even though I have never met most of you, you feel like friends who I have got to know through your comments and questions to me.  So I'd like to say a very big thank you to you all for your kindness in the past year since I have been writing this blog.    Thank you so much - it has been very inspiring and encouraging to say the least!

At the weekend we are moving from this house to a temporary flat in the city and then on to Canada in a few weeks time.  I am already missing my sewing but it's better to have it out of temptation's way because if I have it to hand I won't get anything else done and just for the moment, it has to take a back seat. (Now there's a sentiment that's hard for me to express)

I will still have my laptop with me so if you have any questions on the above method please do feel free to write to ask!

With my very VERY best wishes and thank you to you all for your generosity and kindness.

Cathedral Window Footstool Cover in Oakshotts


Monday 14th May
Santiago, Chile

Here is a picture of what I have been working on for the past ten days - a fitted cover for a footstool which was badly in need of a new cover.  It is of course made in the Cathedral Window block and made entirely in Oakshott cottons.  A few months ago Julia and Michael Oakshott sent me a surprise parcel of the most amazing selection of plaids and stripes I have ever seen,  with colors alive with vibrancy.  Julia enclosed a note saying she was "sending me some sunshine" and bright sunshine it was indeed!  I have raved for months about the Oakshott plain shot cottons such as this pink background but have a look at their plaids too.  

http://www.oakshottfabrics.com/categories/quilting-fabrics/lyon.aspx


I take childish delight in the magic of the Cathedral Window block.  No matter how many times I have made it, the final result still seems incredible and I defy anyone to look at it closely and not to try to work out how it is made.  I like it best at its most simple with one color used for the background.  I have seen photos of quilts made with varying colors in the background block, and for the "windows"  too but for me, the texture and magic alone is sufficient,  so my versions are always very classic and simple.  

For the footstool I have also used a prairie points border, attached with a plaid bias to the front of the edge and it gives a great finishing touch to the stool.  I have never combined them before but I think the two techniques, Cathedral Window and Prairie Points,  look great together.

There are various ways of making Cathedral Window and I boast that my method is the simplest and fastest of them all.  By using a variety of tricks that I have devised and a combination of hand and machine sewing,  I don't think there could be a faster method.    Next week I am going to post a step by step guide with photos for my technique and I hope it might inspire you to have a try.


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Striped Bindings

May 4th 2012
Santiago, Chile

Another Christmas present completed. I am beginning to feel rather smug to be so ahead in my Christmas presents before we have even hit June. It is an ideal time for me to complete all these little projects when our home life is even more chaotic than usual.

This piece of appliqué was also lying dormant in my cupboard. As in last week's cushion every appliqué motif has batting behind it, resulting in the appearance of relief in the appliqué akin to traditional trapunto work. I am so pleased to see how high the relief is, using my rather unorthodox version of trapunto, once the piece is quilted and how much texture it adds. It really adds to the finish. You can really see the difference in the picture below - the turquoise cushions are made with my traditional appliqué methods and the cream one has my new technique of trapunto.

I am very fond of adding striped bindings to my quilts and cushions, as my Chilean quilt group know only too well! They too are now keen on using this easy extra touch for a more exciting binding to their projects. I decided to put a striped green and pink binding on this cushion as an illustration for today's post. It's not exactly rocket science and I'm sure the photos are adequate to illustrate how it is done. I cut 2 inch strips for each color and actually as the more astute of you will probably realize this small piece wasn't adequate for the length of binding required and I resorted to rifling through my scraps for more of each color. Some was interfaced, some not. I had to join pieces all over the place and it was a lumpy, bumpy piece of folded bias binding. However, once on the cushion all its inadequacies disappeared and the final piece is ready to go.

Just in case these endless pillows are getting a bit tedious, next week I am posting a project that is completely and utterly different to anything I have posted before. No appliqué is involved. No patchwork is involved but it is one of my most favorite quilt techniques which I use from time to time and pleases me no end!

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Another Cushion For The Collection!

April 28th 2012
Santiago, Chile

One of the few advantages of moving house/countries/continents every few years is that regular clear outs make us a relatively clutter free household with no junk hiding in the attic. The same applies to the bits and pieces which make up my fabric stash and pieces of abandoned applique. I have learned the hard way that actually it's better to hang on to your stash, no matter how small and scrappy the pieces are. Instead of throwing things out with gay abandon as I have done in the past, I have been admirably organised, ironing and colour coordinating all of my fabrics ready for the move in the past week. It is also a time to do something with all my abandoned pieces of applique. This is one such piece. I made it up over Christmas when we were at the beach, at the times when the sea mist came down like a fog over the landscape and everyone else retired to bed to read or to play Monopoly.

The colours never quite worked for me. I'm not quite sure why, perhaps there needs to be a bit more contrast by using a darker leaf green and pink. However I had only taken these silks to the beach with me, thinking that the colours would be wonderful together. Undoubtedly, had I been at home with my stash, I would have worked something out to improve the overall colour scheme of the piece but I doggedly went at it, getting crosser and crosser by the hour but unable to have the discipline to put it away until we got home. My sister in law, spotting my barely suppressed frustration whilst I sat sewing in the corner, empathised and hit the nail on the head when she said that I was so frustrated because there was just such a tiny difference standing in the way of something not quite working and perfection.

Well I quilted the applique and made the piece up into a cushion in this past week and actually in the right place I think it will work and make someone happy. I have resolved to only give handmade presents to all my friends and family this year for birthdays and Christmas so I shall be looking for the right spot for it and the right recipient over the next few months! It is photographed against some of my favourite cushions, made up years ago in Dutch fabrics and Twisted Log Cabin.

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"Indian Whimsy"

19th April 2012
Santiago, Chile

"Indian Whimsy" is finally finished.  I have spent the last couple of days tidying it up, blocking it and snipping loose threads. 

It measures 60" square and is intended as a wall hanging.  The background is an Oakshott shot cotton and this glorious color was my starting point.  Any colors used for appliqué will glow off such a vibrant pink and in spite of its vibrancy, it essentially functions as a neutral background.   You can see from the threads woven in the fabric itself that the warp and weft are bright orange and fuchsia pink and I think it is the orange that give it such a warm glow.  I have used mostly silks for the appliqué and many of the motifs are stuffed in the way described in previous posts.  At the outset I had no idea how important the bright acid yellow slubby silk would be and I feel that it is these small yellow touches that help make the quilt sing.  I had intended to sew crystals as a final touch but funnily enough they detracted from the overall look and so I decided to leave them off.  They were only going to be a subtle addition but they really didn't work at all.  I'm not quite sure why - perhaps their sparkle killed the natural glow of the background?  Anyway, I am happy to go without them.  The outer border was a bit tricky to design it in order for it to make sense to the rest of the quilt and I felt I could have done with one more flower but it was too late to put one in by that time.  Actually I quite like this sort of challenge and by using the cream flower twice on each side the bright blue daisies were automatically nicely balanced around the border.   It is logical but not symmetrical!
   I called it Indian Whimsy because to me the colors are straight out of India and some of the flowers are whimsical to say the least!  

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Finishing Prairie Points Quilt Edging

Friday 13th April
Santiago, Chile

As promised some weeks ago, I took lots of photos as I finished the edges to my "Indian Whimsy" quilt.  I am not sure if this is the orthodox way to finish Prairie Points but it seems the most obvious way and I have never had any problems with this method.  

1.  Quilt as near to the edge as you can, about 1/4".
2.  When quilting is completed trim the batting to the raw edge of the prairie points strip
3.  Trim the backing to approximately the tips of the triangles.  (Because I am working with a fairly loose weave silk I wanted to turn over the edge twice so I have cut it a bit on the generous side.  If I were working with a standard weight cotton I would only turn in the backing once and cut the fabric accordingly)
4.  Turn under the backing and baste in place 
5.  Slip stitch in place.

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So there you have it, as easy as can be.  Possibly even easier than applying a binding!

A cushion for Libby's Garden Bench

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April 2nd, 2012
Santiago, Chile

Life has taken on quite a hectic turn here recently.  We will be leaving this house in less than two months and returning to live permanently in Montreal.  I am over the moon at the prospect of being in the same city as all our boys, living in our own house and settling down after nearly 30 years of postings here and there.  So now I have an added impetus to quickly finish my applique quilt and all my other bits and pieces so that I can concentrate on packing up the house.  With this in mind I have started to sort through all my sewing paraphernalia.  In the mess of my stash I discovered a half finished Tree of Life from the pattern in my book.  It was a small panel intended to go in a quilt made by our Wednesday Quilt Group.  However we aborted the quilt in its very early stages for a number of reasons.  As the tree was in colours that I would not usually choose I think I probably threw in amongst all my fabrics in a fit of pique!  When I discovered it last week I couldn't face throwing it away and so it just had to be completed.  It didn't take long to do and as I am trying to diminish all of our clutter I limited myself to only using fabrics, threads and bits of pieces I already have.  I found some lovely very VERY old tan brown woven linen silk for the back of the cushion that my brother had bought decades ago during a trip to India.  I made the back envelope-style to avoid buying a zip and then I quilted it in a variegated cream and beige thread that I found lying around to use that up too!  Whilst quilting it I decided that I would be sending it to a friend in the UK for her birthday this month.  It will look perfect on the garden bench in her garden.  It's ages since I made the Tree of Life design from my book and it made me remember how much I like its simplicity and how easy it is to applique.  Coincidentally Jane Taylor sent me a picture of her gorgeous silk version last week while I was making mine.  Hers is made up of vibrant silks and is just beautiful.  Sometimes the simplest designs are the most charming.

Resources

March 22nd 2012
Santiago, Chile

I am really trying to keep up my resolution of posting once a week.  As all my work is by hand, and thus a bit time consuming I'm afraid I don't have any pictures to show this week (but I am hoping for next).  However, given that I receive so many emails asking me about the products I use, I thought it would be a good idea to list some of my favourite products and where to find them.   I use mail order almost exclusively these days.  Mail order shopping is definitely the cheaper way to go for me - one is more likely to only buy what you really want (no mad impulse buys!) and you save on parking and petrol!

Starting with my fabrics, these days I only use Oakshott Shot Cottons and a range of silks.  In the past I used many Dutch fabrics especially for the quilts in my book Beautiful Botanicals.  I still love the Den Haan fabrics to pieces, especially the tone on tone fabrics.  

OAKSHOTTS

USA -   www.averbforkeepingwarm.com/ in Oakland CA and www.pinwheels.com in NY

CANADA -  There is a lady called Val Wojtula who is selling Oakshotts (fat quarters and fat eighths) in BC, Canada.  You can contact her at  dwojtula@shaw.ca

If you order through the UK website these are the delivery rates and speeds

Delivery to USA - £13.50. Delivery to Canada - £15.00

Service is with Fedex - International Priority ie next working day.

UK delivery is by Royal Mail First Class post at £3.35 per order
European delivery is by Royal Mail at £7 per order includes Isle of Man.
US delivery is by Fedex - next working day priority service - at £13.50 per order
Australia, Brazil, Canada, Channel Islands, Hong Kong, Malaysia, New Zealand, Singapore, South Korea delivery is £15 per order.
Small orders will be despatched by Royal Mail - Recorded delivery but larger orders will be despatched by Fedex.

SILKS

I collect my silks from a variety of sources.  For those of you living near Montreal don't set foot in the city without visiting C&M Textiles.  They have the most fantastic range of silks, taffetas and dupioni silk that I have ever seen.  It is a well known fabric shop that supplies the designer fashion trade with fabrics.  I think they also have a branch in Ottawa
7500 St Hubert, Montreal

Mail Order.   I have used
www.eQuilter.com for dupioni plaids but they are currently out of stock.   There is a great range of lovely big buffalo plaids and stripes (for lots of colours in a metre) mail order from http://warehousefabricsinc.com    High end incredible quality taffetas and silks are available from HYENA.  This is an amazing website and efficient delivery  www.hyenaproductions.com  They have good sales.

DUTCH FABRICS
 
Den Haan & Wagenmakers Dutch Fabrics are available mail order from the Netherlands at 
www.dutchquilts.net  They are also available in the USA at www.happinessisquilting.com

BITS AND PIECES

I have recently discovered the Sulky range of variegated thread.  I am using it more and more for embroidery  The colours are fantastic.  Take a look at  http://www.cottonpatch.co.uk/acatalog/Sulky_Blendables.html The Cotton Patch in the UK stocks the full range and will send mail order.  www.cottonpatch.co.uk

I use Gutermann silk thread for applique and recently discovered that there is a bigger colour range than I had realised when I was in Houston last year.  I buy stocks of these threads and my most favourite Roxanne Needles (the only needles I will use these days) at Houston or Quilt Shows.  I am sure they are available Mail Order from many places worldwide as is my favourite Hobbs Heirloom Wool Batting (now called Tuscan Wool). 

And that's about it for my supplies.  I am quite minimalist I think!  

Whoo Hoo!

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March 14th 2012
Santiago, Chile

I had some unexpectedly good news today and was even luckier to have my lovely quilt group with me with whom to share the news.  The American Quilter's Society Lancaster Show opened today with the promise of the prize winners being announced on the internet soon after its opening this morning.  During our quilting this morning I checked the site periodically and then saw that there was a video with all the winners.

I started to play it and the second quilt was mine!  "Euphoria" picked up the Award for the Best Hand Workmanship.  I was staggered and amazed and whooped with joy (and my quilt group joined in!).  It is a prize I never imagined I could win and I am over the moon.  I am still in shock.  Thank you AQS!!

I had a lovely day yesterday as a Chilean quilter presently living in Dubai came to see me.  She had got in touch with me a few weeks ago to say that she would be in Chile on holiday to ask if she could come and see me.  It was lovely to meet her and she even brought her appliqué that she was working on, a design from my book, all in luscious silks.  She brought her stash of silks with her and needless to say I was green with envy at such a spectacular variety, available easily in a huge variety of colors in Dubai.  She kindly gave me an interesting length of the finest jersey fusible interfacing.  I have never seen such a fabulous fine weave, hugely superior to that which I brought back from Montreal so I will give it a try this week.  I think the most rewarding aspect of "Beautiful Botanicals" is the number of quilters I have met as a result, whether in person or "virtually" over the internet.  I regularly receive so many lovely e mails from people all over the world who love appliqué as much as I do and it is always a real pleasure to meet them.  The quilting world in 2012 seems to be a smaller place than ever with Facebook, Twitter, Tweets, Pinterest, and Bloggers writing and exchanging ideas about a passion we all share.  It is hard not to be motivated.  Quilters are a such a generous bunch and the exchange of ideas and methods can only further enrich the future of the quilting, now more dynamic than ever.  Although I no longer piece quilts I am very excited by the work of the "Modern Quilt Guild" and similar organizations.  I'm sure that both their beautiful contemporary designs, combined with the intention that the quilts are practical in a modern home, is what is appealing to a new, younger generation of quilting devotees.   

Away from applique I discovered a fabulous Blog this morning.  Lily of "Lily's Quilts" loves Oakshotts too and makes wonderful quilts with them and lots of other fabrics too.

It is a dynamic site and full of amazing creativity.  If I were still piecing and patchworking, this is the stuff I should like to be doing!  

On the home front I can share the back of my "Indian Whimsy" quilt with you.  I have been hand quilting this since I last wrote on this blog.  The back is a saffron yellow, slubby silk with an amazing sheen.  It is stunning when quilted - I love the back as much as the front.   Here is a picture of the back and I hope you might see the front before too long!